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How to use iSmartPhoto – wedding photography Leeds – iSmartPhotos Yorkshire
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Ollievision Photography is an approved supplier of the new iSmartPhoto technology. This provides a photo and/ or video fusion experience for still images.
You need a suitable device to use iSmartPhoto, eg an iphone, ipad or android phone.
ISmartPhoto 1.7.6 – Image browser and organizer. ISmartPhoto is a fast image browser and powerful image organizer. Unlike iPhoto, iSmartPhoto doesn. ISmartPhoto Free 1.7.8 for Mac can be downloaded from our website for free. Our built-in antivirus checked this Mac download and rated it as virus free. This free Mac app was originally created by iSmartPhoto. The program is categorized as Design & Photo Tools. CPM Education Program proudly works to offer more and better math education to more students. ISmartPhoto is boosting print & album sales for Photographers all around the world!Our team are ready to assist so get in touch now. USA/Canada: +1(760) 284 3344 UK/Africa: +020 3289 0100 Australia: +61-2801-13667 Philippines: 5. ISmartPhoto brings your images to life with a vibrant display of moving images and video! ISmartPhotos is an amazing new advance in digital image technology. It brings photographs to life when viewed through a mobile phone or tablet.
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1 Download the free iSmartPhoto app from Apple store or Google Play. (You need to go to the app store and type ismartphoto into the search box.)
2 Go to an iSmartPhoto activated photograph in a wedding album or online. For this example I’ll use one of Irene & Roger’s ceremony photographs. Please note that iSmartPhoto is intended for printed items but you can test the function by holding a mobile phone over the screen here. It will not work if you try to view the photo and use the app on the same phone!
Video by Kathryn Hall at View from the North Productions. Photos by Ollievision. Thanks to Kathryn for her production of this video.
3 Open the iSmartPhoto app on your phone then point your mobile phone camera at this image, as though you are going to take a photo of it. iSmartPhoto will recognise the image and ask you for an 8-digit passcode. Each couple have a unique code. Enter 13572468 for Roger & Irene to test this image. (If you are trying to view images belonging to a different couple then enter the code they give you!)
4 Hold the phone in place over the photo and the download will commence. The video will start to play automatically.
5 You can move the phone closer or further away from the photo to enlarge/ reduce the size of the video on your display. It looks better if you hold the phone parallel to the image during viewing and don’t tilt it.
6 To stop the video move your phone away from the photo or exit the iSmartPhoto app.
Ollievision can provide iSmartPhoto as as add-on to wedding, event and portrait photography services whether a videographer is present or not. If you require a videographer for your event I recommend Kathryn Hall at View From The North Productions who is also based in Leeds.
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Frequently Asked Questions
Do I have to enter the 8 digit code every time I want to view the iSmartPhoto?
No. Your device will remember it and you will probably find the video automatically starts when held in front of the target image again.
How does the technology work ?
iSmartPhoto have developed a unique and hybrid type of image recognition. The invisible code in the target image that is read by the App is based on almost 1000 points of recognition.
What type of devices can I use the iSmartPhoto App on?
Apple iPhone 4s and later, Apple iPad, Android smart phones.
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Another example… this image will be the first dance page in Irene & Roger’s wedding album….
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photographer Leeds – How to use iSmartPhoto – wedding photographers Yorkshire
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Whenever there’s an update to a product that you own – or would like to own – it’s sensible to ask whether the new kid on the block is doing anything the old kid can’t. Here we compare the new Canon EOS 6D Mark II DSLR to the original 6D to see if, as an existing user, it’s worth you trading up, or moving onto a new Canon DSLR line entirely.
Canon’s original EOS 6D was launched in 2012 as the company’s entry level full-frame DSLR. It was well received, giving photographers great image quality at an affordable price. Now, around five years on, its predecessor has hit the shelves. That’s a decent stretch in digital SLR terms, so what’s changed, and will it make a difference to your photography?
Design and handling
Despite nearly half a decade of development time, there’s not much difference in design; but that’s not necessarily a bad thing – the 6D handled well, so why change what worked? Both the EOS 6D Mark II and its predecessor are small in terms of full-frame DSLRs, and nowhere near as large or heavy as cameras like the 5D range. If anything, both feel like large APS-C DSLRs, with the benefit of bigger chips. At 144.5×110.5×71.2mm for the Mark I and 144×110.5×74.8mm for the Mark II, and with weights of 755g and 765g (with battery and card) respectively, you can see there’s little to split them. In terms of ergonomics, the Mark I felt fine in the hand, and the Mark II does nothing to lessen that.
Button placement is almost identical with Canon’s familiar large rear and smaller front control dials. The most notable button change on the Mark II, is the inclusion of an AF Area mode button next to the shutter release (this actually illustrates the camera’s biggest improvement, AF, which we’ll come onto later). The biggest physical change on the body is the incorporation of a 3.0in touchscreen; this is of a vari-angle design, unlike the Mark I’s fixed LCD, but they’re of the same size and resolution. The new vari-angle screen certainly helps with high and low angle shooting, and it can be reversed to protect the display.
Both cameras offer a level of weather sealing, which is always welcome, but neither has a second SD card slot. When it comes to the viewfinder, the Mark II is fractionally improved, but still only has 98% (vs 97%) frame coverage. It would have been nice to get a 100% coverage on the new model.
The 6D Mark II uses a new battery (the LP-E6N, versus LP-E6), and this improves the number of frames before a recharge to a maximum of 1200 from 1090. The old batteries should fit the new camera, but won’t provide the same performance. However, if you’re thinking of upgrading and want to use your existing battery grip from the 6D (the BG-E13), unfortunately the 6D Mark II requires a new one, the BG-E21.
Performance
The EOS 6D Mark II uses Canon’s Digic 7 processor (as opposed to the original 6D’s Digic 5+), so generally performance is improved. When it comes to speed of shooting, the EOS 6D Mark II offers 6.5fps, versus the original’s 4.5fps. A 2fps increase might not seem like much, but it’s almost a third faster, and you’ll definitely appreciate the extra pace. You can shoot at this speed for up to 150 Jpegs or 21 Raw files (the original 6D could shoot considerably more Jpegs at its 4.5fps, but fewer Raws, at 17). Either way it’s plenty for most subjects.
Continuing the trend of increased speed, the 6D Mark II’s AF system has seen a decent upgrade. Instead of the original’s 11 phase-detect points, only one of which was of the more sensitive cross type, the Mark II has a 45-point array, all of which are cross type, so you can expect, quicker more accurate, and flexible focusing, especially from slower lenses, away from the middle of the array. The extra points are allied to new expanded AF area settings and improved tracking modes; it’s perhaps here that the most significant upgrade will be felt by existing 6D users, especially if they shoot sports, action or erratic subjects.
The EOS 6D Mark II also uses the Dual Pixel AF system found on higher spec Canon DSLRs; the main benefit of this is found in improved speed and accuracy when live-view focusing. The other claimed benefits of Dual Pixels AF, such as post-processing of the focus point in Raw I’ve found generally unconvincing. In terms of available shutter speeds, the new camera’s setting is still capped at 1/4000sec. To hit 1/8000sec you’ll need to go up to the 5D range.
Image quality
The EOS 6D Mark II uses a higher resolution full-frame sensor, moving up from the 6D’s 20.2Mp chip to 26.6Mp (5472×3648 vs 6240×4160). Again it’s not a huge increase, but enough to add extra detail to images, and provide more cropping options if required. Both cameras use a traditional optical low-pass filter; therein fine detail is sacrificed to avoid moire patterns. Pictures from the 6D Mark II show a great level of detail and you can make large prints without interpolation.
As you’d expect, the new camera has an expanded ISO range, but not by much; the 6D’s runs from 100-40000 (increased from 100-32000), but on both cameras it can be expanded to 102,400 at the top end. Both also have a expanded Low setting of 50, but like all cameras this has the risk or reduced dynamic range. Noise performance isn’t significantly improved over the older body, probably due to the increased resolution, and several sources report dynamic range to be underwhelming for a full frame chip. That said, ISO performance from both cameras is very good in isolation.
Video
Again, there’s only a small upgrade in the video options. There’s no 4K video from the 6D Mark II, just Full HD, though there is an improvement in the maximum frame rate from 30fps to 60fps. 4K can found in the Mark II’s specification, but only for time-lapse movies; still, they do look pretty amazing. Finally for video, the 6D Mark II sees Canon’s 5-Axis image-stabilisation added and this will smooth out your handheld movies a treat.
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Verdict
If you’re an existing 6D user there’s plenty to be said for the new model, though really it’s more subtle evolution than barnstorming revolution. The biggest improvements are in the AF speed and performance, frame rate, tilting touchscreen and increased resolution. If these are areas where you feel you’re bumping your head on the ceiling, then it’s worth the upgrade. Handling is virtually identical, and the Mark II is still impressively small and light for a full-frame DSLR with weather sealing. A 4K video option would’ve made a more compelling case for movie shooters, but it’s sadly absent.
The other thing to consider is a more significant upgrade: the 6D Mark II is a definite improvement on the original, but it’s also still at the bottom of Canon’s full-frame DSLR range. For a more tangible jump in quality, it’s well worth considering the an outlay towards the 5D Mark III or 5D Mark IV. Though it’s a generation older, the 5D Mark III can be found for a similar price to the brand-new 6D Mark II, and sports a better viewfinder, more AF points, larger (though fixed LCD), dual memory card ports, and improved construction, though it is a bigger heavier beast.